Wednesday, February 3, 2010

2666 Group

I'm reading Roberto Bolaño's 2666 with an online reading group. It's a very dense book, heavy in both senses of the word and I thought that a reading group would be helpful.

It's a fantastic book, although I'm only 100 or so pages into it. It's a collection of five loosely-related "books." I'm mid-way through the first.

Anyway, as I was doing some reading online about Bolaño, I came across this quote, from Rodrigo Fresán’s eulogy of Bolaño (translated from Spanish):

I don’t know how there can be writers who still believe in literary immortality. I understand that there might be those who believe in the immortality of the soul, and I can even believe there are those who believe in Paradise and Hell and in that freaky intermediate station that is Purgatory, but when I hear a writer speak of the immortality of definite works of literature I feel like slapping him. I’m not talking about really belting, so much as just one slap, and afterwards, probably, hugging and comforting him. In this I know that you won’t be in agreement with me, Rodrigo, because you are basically a non-violent person. As am I. When I say, deliver a slap, I’m more thinking of the palliative character of certain slappings, like those in the movies that are administered to hysterics so that they will react, stop screaming, and save their own lives.
It's such a nice quote, because it gets at what most writers aspire to--a type of literary immortality. Even those who imagine an granddaughter finding a dusty old box of journals in the back of the attic some day and pouring over them as if she has found, in the ramblings of her grandfather, an epic tale, humorous bits about a different time, the unpublished Great American Novel or, perhaps, just a bit of insight from someone who has seen more of life than she has.

Friday, January 15, 2010

Book List 2009

Here's a link to my final Book List 2009, as a pdf.

Thursday, January 7, 2010

Favorite Movies 2009

1. Tyson

2. The Hangover

3. Inglorious Basterds

4. Where The Wild Things Are

5. Avatar

6. Up In The Air

7. Watchmen

Desert Solitaire: A Season In The Wilderness by Edward Abbey


This was perhaps my favorite book from 2009. Written in 1968, during Abbey’s time as a park ranger in Arches National Monument near Moab, Utah, it falls somewhere between Jack Kerouac and Bill Bryson in both style and substance. Abbey is a cranky old coot, railing against civilization, the park service, the government, the tourists and the roads built to bring them into the depths of the parks. But I underlined the heck out of this book. It’s philosophy, environmentalism, natural history, taxonomy, folklore, poetry and angry ranting all in one. Abbey’s sense of humor and sarcasm are endearing, and his environmentalist spirit is inspiring, though dated by some of Abbey’s more hypocritical moments: he has long beautiful passages detailing the beauty of the canyonlands, yet offhandedly mentions rolling an old tire down the slope from the road for the fun of it; and with Luddite fervor, he lambasts the obnoxious presence of ignorant tourists in the park, yet longs to head to the mountains where he can carve his initials into the trunk of a juniper tree. Still, these faults aside, Abbey is a fascinating thinker, and his descriptions of the natural beauty around him are at times stunning. I’ve spent a little time in Joshua Tree and the canyonlands of southern Utah, and reading Abbey’s descriptions made me want to go back and explore them further. And the case he makes for our need to have a wilderness, an “out there” that serves both the few that explore it as well as the many who simply take comfort in knowing that it exists, that we haven’t developed every square inch of our crowded world, is both compelling and, I think, spot on.

Saturday, December 19, 2009

Manhood for Amateurs by Michael Chabon [audiobook]


This is a collection of riffs on different topics that circle around boyhood, fatherhood, and the bridge that ties the two. Chabon, who grew up with a good but distant father, now has four boys of his own and, as the title suggests, doesn’t always feel like he knows exactly what he’s doing. I’m not a father myself, but it’s easy to enjoy and relate to many of Chabon’s observations, and his honesty (both the honesty with which he writes and the honesty with which he deals with his kids) is admirable. Chabon’s refreshingly modern version of manhood calls into question the traditional ideas of masculinity (his mother pokes fun at him for carrying a man purse) as well as the traditional roles of the father (he’s not much of a handyman and prefers drawing superheroes with his kids to throwing the football with them). And he and his wife (who has written to much acclaim on the topic of motherhood) work as a team of equals as they tackle the dilemmas of parenthood (should they have their boys circumcised? how do they answer questions about drugs?). But the best part of the book is the exuberance with which Chabon embraces the concepts of childhood (imagination, superheroes) while at the same time lamenting the things that have changed since his own childhood (why did they have to go and add so many strange colors to Legos? what ever happened to kids being able to explore the neighborhood freely and alone?). This book would be a great gift for a young father, but it has enough insight and witty observation on the changing landscape of American suburbia to be relatable for anyone. Chabon’s writing, as always, is top notch, and he balances humor, serious criticism and poignancy very well.

If there were anything to criticize here, it would be that I found the author's reading voice slightly irritating at first. But the content is great.

Sunday, December 6, 2009

Independent People by Halldor Laxness


Laxness, an Icelandic author, won the Nobel Prize for literature in 1955 for his ability to create epic tales. This is certainly one of them. It’s the story of Bjartur, an Icelandic sheep farmer who is set like a mountain in his ways. He stubbornly bears the loss of family members, attacks on his sheep, political corruption and the changing world around him, set on his goal to live independently and build his home and farm, Summerhouse.
“Yes, it was a good man indeed who could stand immovable as a rock in these times, when everything around him, including money and views of life, was afloat and swirling in perpetual change; when the strongest boundary walls between men and things in time and place were being washed away; when the impossible was becoming possible and even the wishes of those who had never dared to make a wish were being fulfilled.”

The most interesting conflict though, better than Bjartur’s conflict with the world, is his stubborn feud with his equally strong-willed daughter, Asta Solilja. The pig-headed way in which Bjartur disowns his daughter and refuses to make amends makes you hate him, but in the end, as he is weighted down by debt and loneliness and finally begins to admit regrets, it’s hard not to feel for Bjartur. For his entire life, he has been principled to a fault, but principled nonetheless. It is then, as he looks over Summerhouse, ruined by poor financing and poor construction, that he writes:
“For what are riches and houses and power
If in that house blooms no lovely flower?”

Independent People is a book that at times feels like it is being endured, much as Bjartur endurs the harsh northern winters. While there are moments of action, sharp conflict and shocking surprise, much of the novel is concerned with the various diseases that infect the sheep, descriptions of the weather and landscape, the politics of socialism and the poems that Bjartur enjoys writing and reciting. It’s rewarding in the end, but is a slog to get through. It has been compared to Tolstoy. The story at times also reminded me of Gabriel García Márquez’s One Hundred Years of Solitude, though I would be quicker to recommend that book. As frustrating as it is at times, by recommending Independent People to someone, I’d worry that they might return and throw the book at me.